LED-ZEPPELIN

Kamis, 15 Maret 2012

     Led Zeppelin was the definitive heavy metal band. It wasn't just their crushingly loud interpretation of the blues -- it was how they incorporated mythology, mysticism, and a variety of other genres (most notably world music and British folk) -- into their sound. Led Zeppelin had mystique. They rarely gave interviews, since the music press detested the band. Consequently, the only connection the audience had with the band was through the records and the concerts. More than any other band, Led Zeppelin established the concept of album-oriented rock, refusing to release popular songs from their albums as singles. In doing so, they established the dominant format for heavy metal, as well as the genre's actual sound. 

Led Zeppelin formed out of the ashes of the Yardbirds. Jimmy Page had joined the band in its final days, playing a pivotal role on their final album, 1967's Little Games, which also featured string arrangements from John Paul Jones. During 1967, the Yardbirds were fairly inactive. While the Yardbirds decided their future, Page returned to session work in 1967. In the spring of 1968, he played on Jones' arrangement of Donovan's "Hurdy Gurdy Man." During the sessions, Jones requested to be part of any future project Page would develop. Page would have to assemble a band sooner than he had planned. In the summer of 1968, the Yardbirds' Keith Relf and James McCarty left the band, leaving Page and bassist Chris Dreja with the rights to the name, as well as the obligation of fulfilling an upcoming fall tour. Page set out to find a replacement vocalist and drummer. Initially, he wanted to enlist singer Terry Reid and Procol Harum's drummer B.J. Wilson, but neither musician was able to join the group. Reid suggested that Page contact Robert Plant, who was singing with a band called Hobbstweedle. 

      After hearing him sing, Page asked Plant to join the band in August of 1968, the same month Chris Dreja dropped out of the new project. Following Dreja's departure, John Paul Jones joined the group as its bassist. Plant recommended that Page hire John Bonham, the drummer for Plant's old band, the Band of Joy. Bonham had to be persuaded to join the group, as he was being courted by other artists who offered the drummer considerably more money. By September, Bonham agreed to join the band. Performing under the name the New Yardbirds, the band fulfilled the Yardbirds' previously booked engagements in late September 1968. The following month, they recorded their debut album in just under 30 hours. Also in October, the group switched its name to Led Zeppelin. The band secured a contract with Atlantic Records in the United States before the end of the year. Early in 1969, Led Zeppelin set out on their first American tour, which helped set the stage for the January release of their eponymous debut album. Two months after its release, Led Zeppelin had climbed into the U.S. Top Ten. Throughout 1969, the band toured relentlessly, playing dates in America and England. While they were on the road, they recorded their second album, Led Zeppelin II, which was released in October of 1969. Like its predecessor, Led Zeppelin II was an immediate hit, topping the American charts two months after its release and spending seven weeks at number one. The album helped establish Led Zeppelin as an international concert attraction, and for the next year, the group continued to tour relentlessly. Led Zeppelin's sound began to deepen with Led Zeppelin III. Released in October of 1970, the album featured an overt British folk influence. The group's infatuation with folk and mythology would reach a fruition on the group's untitled fourth album, which was released in November of 1971. Led Zeppelin IV was the band's most musically diverse effort to date, featuring everything from the crunching rock of "Black Dog" to the folk of "The Battle of Evermore," as well as "Stairway to Heaven," which found the bridge between the two genres. "Stairway to Heaven" was an immediate radio hit, eventually becoming the most played song in the history of album-oriented radio; the song was never released as a single. Despite the fact that the album never reached number one in America, Led Zeppelin IV was their biggest album ever, selling well over 16 million copies over the next two and a half decades. 

      Led Zeppelin did tour to support both Led Zeppelin III and Led Zeppelin IV, but they played fewer shows than they did on their previous tours. Instead, they concentrated on only playing larger venues. After completing their 1972 tour, the band retreated from the spotlight and recorded their fifth album. Released in the spring of 1973, Houses of the Holy continued the band's musical experimentation, featuring touches of funk and reggae among their trademark rock and folk. The success of Houses of the Holy set the stage for a record-breaking American tour. Throughout their 1973 tour, Led Zeppelin broke box-office records -- most of which were previously held by the Beatles -- across America. The group's concert at Madison Square Garden in July was filmed for use in the feature film The Song Remains the Same, which was released three years later. After their 1973 tour, Led Zeppelin spent a quiet year during 1974, releasing no new material and performing no concerts. They did, however, establish their own record label, Swan Song, which released all of Led Zeppelin's subsequent albums, as well as records by Dave Edmunds, Bad Company, the Pretty Things, and several others. Physical Graffiti, a double album released in February of 1975, was the band's first release on Swan Song. The album was an immediate success, topping the charts in both America and England. Led Zeppelin launched a large American tour in 1975, but it came to a halt when Robert Plant and his wife suffered a serious car crash while vacationing in Greece. The tour was canceled and Plant spent the rest of the year recuperating from the accident.

      Led Zeppelin returned to action in the spring of 1976 with Presence. Although the album debuted at number one in both America and England, the reviews for the album were lukewarm, as was the reception to the live concert film The Song Remains the Same, which appeared in the fall of 1976. The band finally returned to tour America in the Spring of 1977. A couple of months into the tour, Plant's six-year-old son Karac died of a stomach infection. Led Zeppelin immediately canceled the tour and offered no word whether or not it would be rescheduled, causing widespread speculation about the band's future. For a while, it did appear that Led Zeppelin was finished. Robert Plant spent the latter half of 1977 and the better part of 1978 in seclusion. The group didn't begin work on a new album until late in the summer of 1978, when they began recording at ABBA's Polar studios in Sweden. A year later, the band played a short European tour, performing in Switzerland, Germany, Holland, Belgium, and Austria. In August of 1979, Led Zeppelin played two large concerts at Knebworth; the shows would be their last English performances. 

      In Through the Out Door, the band's much-delayed eighth studio album, was finally released in September of 1979. The album entered the charts at number one in both America and England. In May of 1980, Led Zeppelin embarked on their final European tour. In September, Led Zeppelin began rehearsing at Jimmy Page's house in preparation for an American tour. On September 25, John Bonham was found dead in his bed -- following an all-day drinking binge, he had passed out and choked on his own vomit. In December of 1980, Led Zeppelin announced they were disbanding, since they could not continue without Bonham. 

       Following the breakup, the remaining members all began solo careers. John Paul Jones returned to producing and arranging, finally releasing his solo debut, Zooma, in 1999. After recording the soundtrack for Death Wish II, Jimmy Page compiled the Zeppelin outtakes collection Coda, which was released at the end of 1982. That same year, Robert Plant began a solo career with the Pictures at Eleven album. In 1984, Plant and Page briefly reunited in the all-star oldies band the Honeydrippers. After recording one EP with the Honeydrippers, Plant returned to his solo career and Page formed the Firm with former Bad Company singer Paul Rogers. In 1985, Led Zeppelin reunited to play Live Aid, sparking off a flurry of reunion rumors; the reunion never materialized. In 1988, the band re-formed to play Atlantic's 25th anniversary concert. During 1989, Page remastered the band's catalog for release on the 1990 box set Led Zeppelin. The four-disc set became the biggest-selling multi-disc box set of all time, which was followed up three years later by another box set, the mammoth ten-disc set The Complete Studio Recordings. 

      In 1994, Page and Plant reunited to record a segment for MTV Unplugged, which was released as No Quarter in the fall of 1994. Although the album went platinum, the sales were disappointing considering the anticipation of a Zeppelin reunion. The following year, Page and Plant embarked on a successful international tour, which eventually led to an all-new studio recording in 1998, the Steve Albini-produced Walking Into Clarksdale. Surprisingly, the album was met with a cool reception by the record-buying public, as Page and Plant ended their union shortly thereafter, once again going their separate ways (Page went on to tour with the Black Crowes, while Plant resumed his solo career). Further Zeppelin compilation releases saw the light of day in the late '90s, including 1997's stellar double-disc BBC Sessions, plus Zep's first true best-of collections -- 1999's Early Days: The Best Of, Vol. 1 and 2000's Latter Days: The Best Of, Vol. 2.



born on 1968

on 1980-06-29

In memoriam 1968 - 1980




You Best...!!!

KoЯn

Rabu, 14 Maret 2012


Over the course of eight full-length releases, Korn have sold in excess of 30 million albums and played countless sold-out shows worldwide. They've won two Grammys—one for Best Short Form Video for "Freak on a Leash" from 1998’s Follow the Leader and one for Best Metal Performance for "Here to Stay," from 2002’s Untouchables—and have launched a massively successful festival of their own, The Family Values Tour. However, despite all their massive success and accolades, Korn haven't lost hold of the savage, raw energy that made them such a crucial band for diehard rock and metal fans. Korn are one of the preeminent voices of this generation.

Their ninth offering, Korn III —Remember Who You Are, is their first effort for brand new label home, Roadrunner Records, and it bursts at the seams with that very feeling that defined the band from the get-go. Each song unleashes an uneasiness reminiscent of Korn's earliest and most unbridled material, but there’s also a modern refinement that's epic in its execution. Korn definitely don't lose sight of their roots on Remember Who You Are, but they also venture into uncharted darkness. All that truly matters is where they're going. The album strikes a balance between their past and their future, as it finds the band reuniting with producer Ross Robinson, who manned the boards for their first two records, all the while joining forces with Roadrunner Records, the world’s leading rock label.
With Korn III – Remember Who You Are, it's their time...

Korn bleed with unsettling and unpredictable aggression on Remember Who You Are's 10 tracks. "Oildale (Leave Me Alone)" buzzes with an eerie clean guitar that slowly gives way to a steamrolling bass and riff assault. "Move On" morphs from a myriad of creaking tones into an explosive vocal freak-out that's impossible not to connect with it on a visceral level. Then there's the neck-snapping "Fear Is A Place to Live" tempering deadly guitar dissonance with an unforgettable chorus. This is Korn reborn.

"This album is a reflection of us being a band since 1993," says vocalist Jonathan Davis. "We worked hard on the previous records, and we experimented a lot. For Remember Who You Are, the four of us got together in a small room with the intention of writing an old school Korn record. This album is a perfect mixture of everything we've done, and this version of the band is the best ever." It's as if Korn revisited their storied beginnings, but as a wiser, tighter and more precise outfit blessed with the benefit of experience.

In order to tap into the chaos that made their self-titled debut a modern classic, the band enlisted the help of the man who helmed Korn and Life is Peachy—producer Ross Robinson, whose goal was to bring Korn back to square one. He undoubtedly succeeded. Davis had an intense and invigorating recording session. "Ross helped us remember what we used to do this for," the singer says. "It was more psychological than anything. Ross was right there pushing me and he drove me insane. I sing about a lot of things that hit really close to my heart and he knew how to trigger that. I nearly fucking broke down at the end of almost every song, but I got it all out." 


LINKIN PARK

Selasa, 13 Maret 2012

The band saw its and first beginings in emcee / vocalist Mike Shinoda's small bedroom studio, where he and Brad Delson recorded the band's first material in 1996. The two had attended high school together, where they met the band's drummer, Rob Bourdon. Shinoda hooked up with DJ Joseph Hahn while studying illustration at Art Center College in Pasadena. Meanwhile, attending UCLA, Delson shared an apartment with bassist Phoenix, who left the band after college and returned a year later. At this point, they named themselves Xero and recorded several demo tracks. They never got signed, and the project floundered. Then Shinoda decided to hire a vocalist, and put out an ad. They got Chester Bennington, a transplanted Arizona native who started making records when he was 16. 'When I was two, I used to run around singing Foreigner songs - there's tapes of me doing that... since I learned how to talk I've been telling everybody I was gonna grow up to be a singer.' laughs Bennington.
The band called itself Hybrid Theory after the addition of Bennington (the idea being that they were a hybrid of rock and rap), however, due to a trademark issue with a band called Hybrid, they were forced to change their name. Some discarded ideas (serious or not) were Clear (the band's favorite), Probing Lagers (which they thought was the lamest), Ten PM Stocker (because they would record every night at 10 pm at a place on Stocker Street) and Platinum Lotus Foundation. Eventually, they settled on Lincoln Park, suggested by Bennington because after band practice he would have to drive past there to get home. However the domain 'lincolnpark.com' cost more than the band could afford, so they changed the spelling to Linkin Park. However, it has also been suggested that the name 'Linkin Park' was suggested so that the band would appear right next to Limp Bizkit at record stores.
Working with an independent label, the band recorded the album Hybrid Theory EP, which featured 'Carousel', 'Technique', 'Step Up', 'And One', 'High Voltage', 'Part of Me'.
After being signed to Warner Brothers in 1999 their first album, Hybrid Theory, was released in 2000. It was the top-selling album in the United States and New Zealand in 2001, with the hit singles 'One Step Closer', 'Crawling', 'Papercut', 'In The End' and 'Points of Authority'. The album is notable for its absence of profanity, in contrast to many other nu metal bands' songs.
Linkin Park were part of the Ozzfest in 2001, touring along side Marilyn Manson, Slipknot, Crazy Town, Papa Roach, and Disturbed. Linkin Park have also created their own tour - Projekt: Revolution, and on it have toured with Cypress Hill, Adema, DJ Z-Trip, Xzibit, Mudvayne and Blindside.
In 2002, they released a remix album of their Hybrid Theory album, called Reanimation, as well as releasing a remix version of their song, 'Points Of Authority'.
In 2003 their new studio album was released, titled Meteora, which debuted at #1 in the US and UK, and #2 in Australia. It contained the singles, 'Somewhere I Belong', 'Faint', 'Numb', 'From The Inside' and 'Breaking The Habit'. Later in the year, they joined forces with fellow nu-metal band Limp Bizkit and Metallica for the Summer Sanitarium Tour 2003. From this tour, Linkin Park released a new CD/DVD set calledLive in Texas. This set contains tracks from their three previous records, and was filmed on location at their Summer Sanitarium performances in Dallas and Houston, Texas .
In 2004, Linkin Park created the Meteora World Tour. This tour included Linkin Park, P.O.D., Hoobastank, and Story of the Year.
In 2004, Linkin Park was touring with Snoop Dogg, The Used, Korn, and Less Than Jake on the main stage, and No Warning, Ghostface, Funeral For A Friend, M.O.P., and Downset on the second stage as part ofProjekt Revolution 2004. They also had a travelling DJ, Z-Trip with them, along with Irvin the Urban Action Figure.
On November 30, 2004, Linkin Park released Collision Course, a collaboration with rapper Jay-Z featuring rap-style remixes ('mash-ups') of songs from Meteora and Hybrid Theory using lyrics from Jay-Z's repertoire. Collision Course debuted at #1 in the US, but only got to # 17 in the UK. In Holland Collision Course made it to a 7th place. Their first Collision Course hit single 'Numb/Encore' reached #1 at the Free Record Shop Download Charts in Holland.

PERSONNEL
  • Chester Bennington (vocals)
  • Mike Shinoda (vocals/sampling/guitar/keyboard)
  • Joe Hahn (turntables, samples)
  • Brad Delson (guitar)
  • Rob Bourdon (drums)
  • Dave 'Phoenix' Farrell (bass)

CHORD MUSE

Senin, 12 Maret 2012

HYSTERIA


(intro)

Am               Em
It's bugging me, grating me
G           F#
Twisting me around
Am
Yeah I'm endlessly
Em
Caving in
G                  F#
And turning inside out


Chorus

               C
'Cos I want it now
          G
I want it know
Dm                     Am
Give me your heart and your soul
                 C
And I'm breaking out
             G
I'm breaking out
Dm                     Am
Give me your complete control

(little solo)

Verse 2
Am               Em
It's holding me, morphing me
G                 F#
And forcing me to strive
Am              Em
To be endlessly cold within
G                F#
And dreaming I'm alive

Chorus

               C
'Cos I want it now
          G
I want it know
Dm                      Am
Give me your heart and your soul
                 C
And I'm breaking out
             G
I'm breaking out
Dm                     Am
Give me your complete control

(long solo)

Chorus
             C
And want you now
           G
I want you now
Dm                  Am
I'll feel my heart implode
                 C
And I'm breaking out_
         G
Escaping now
Dm                Am
Feeling my faith erode



ASSASSIN



F                C
War is overdue
      Gm                     Dm
The time has come for you
      F                        C
To shoot your leaders down
Gm                    Dm
Join forces underground
Ft
Lose control
                      Ct
And increasing pace
Gmt
Warped and bewitched
               Dmt
Time to erase
F
Whatever they say
                          Ct
These people are torn
Gmt
Wild and bereft
                Dm
Assassin is born, yeah


BLACKOUT



 Bb     Gm 
don't kid yourself
    Eb         F   
and don't fool yourself
Gm
this love's too good to last
Cm
and i'm too old to dream

Bb Gm Eb F

VERSE 2
(repeat verse 1 chords)
don't grow up too fast
and don't embrace the past
this life's too good to last
and i'm too young to care

VERSE 3
don't kid yourself
and don't fool yourself
this life could be the last
and we're too young to see

CHORD SUM 41

LOOK AT ME


intro:
[
A - E] F#m – Bm [A - E]  [half timed]
A    E  F#m
Look at me
Bm
who am i supposed to be?
A         E
what do i believe?
A   E    F#m
can you tell me?
Bm
since you made up your mind
A                   E
who knows what you believe
D    A     E
and i just don’t know
D    A     E
no i just don’t know
who i’m supposed to be
[A - E] F#m – Bm [A - E]
A    E  F#m
look at me
Bm
am i the image of
A                E
your hopes and tragedies
A    E  F#m
just look at me
Bm
will i ever be
A                E
more than just a memory?
D    A     E
cause you just don’t know
D    A     E
no you just don’t know
D    A    E
all i am is me
D    A    E
all i am is me
all i am is me
[A - E] F#m – Bm [A - E]
capoed version [capo on 2nd fret]:
[G - D] Em – Am [G - D]  [half timed]
G    D  Em
Look at me
Am
who am i supposed to be?
G         D
what do i believe?
G   D    Em
can you tell me?
Am
since you made up your mind
G                   D
who knows what you believe
C    G     D
and i just don’t know
C    G     D
no i just don’t know
who i’m supposed to be
[G - D] Em – Am [G - D]
G    D  Em
look at me
Am
am i the image of
G                D
your hopes and tragedies
G    D  Em
just look at me
Am
will i ever be
G                D
more than just a memory?
C    G     D
cause you just don’t know
C    G     D
no you just don’t know
C    G    D
all i am is me
C    D    D
all i am is me
all i am is me
[G - D] Em – Am [G - D]

PIECES

Em   C
I tried to be perfect
    G    
But nothing was worth it
          D      Em
I don’t believe it makes me real
                 C
I thought it’d be easy
  G
But no one believes me
       D       C
I meant all the things that I said

         C   G
If you believe it’s in my soul
       D      C
I’d say all the words that I know
       C               G
Just to see if it would show
        D     C  
That I’m trying to let you know
  Em  
That I’m better off on my own


Guitar solo:
Em C G D


Em      C  
This place is so empty
                  G
My thoughts are so tempting
 D  Em
I don’t know how it got so bad
      C
Sometimes it’s so crazy
     G
That nothing can save me
 D       C
But it’s the only thing that I have


         C   G
If you believe it’s in my soul
       D      C
I’d say all the words that I know
       C               G
Just to see if it would show
        D     C  
That I’m trying to let you know
  G  
That I’m better off on my own


Guitar Solo:
G D Em C (x2)
(On my own!)
Em C G D (x2)
Bm..............


Em   C
I tried to be perfect
    G
It just wasn’t worth it
   D          Em
Nothing could ever be so wrong
    C
It’s hard to believe me
   G
It never gets easy
          D             C
I guess I knew that all along


         C   G
If you believe it’s in my soul
       D      C
I’d say all the words that I know
       C               G
Just to see if it would show
        D     C  
That I’m trying to let you know
  G  
That I’m better off on my own

CHORD KOTAK

PELAN _ PELAN SAJA


[intro] C F 

C     Em     F         G 

ku tahu kamu pasti rasa 
 C        F   G 
apa yang ku rasa 
C     Em      F          G 
ku tahu cepat atau lambat 
   Am    Dm     G 
kamu kan mengerti 

C  Em      F      G 
hati bila dipaksakan 
    C     F    G 
pasti takkan baik 
C     Em       F       G 
pantasnya kamu mencintai 
       Am     Dm  E  Am 
yang juga cintai dirimu 
  F      G 
 cinta kamu 

[chorus] 
          F G      C       
lepaskanlah ikatanmu  
        Dm G      C         Em   

dengan aku  biar kamu senang 
       F  G       C    Am 
bila berat melupakan aku 
F         Dm   C 
pelan-pelan saja 


C    Em      F      G 
tak ada niat menyakiti 
 C     F    G 
inilah hatiku 
C    Em        F      G 

pantasnya kamu mencintai 
       Am     Dm  E  Am 
yang juga cintai dirimu 
 F      G 
cinta kamu 

[chorus] 
          F G      C       

lepaskanlah ikatanmu  
        Dm G      C         Em   
dengan aku  biar kamu senang 
       F  G       C    Am 
bila berat melupakan aku 
F         Dm   C 
pelan-pelan saja 

[solo] Am G F E  
       Am G F E 
       Am G F  

Dm      G     C 

pelan-pelan saja 


[chorus] 
          F G      C       

lepaskanlah ikatanmu  
        Dm G      C         Em   
dengan aku  biar kamu senang 
       F  G       C    Am 
bila berat melupakan aku 

Dm       Em   F 

pelan-pelan saja 
Dm      G     C 

pelan-pelan saja 

[ending] C F C  

F              C 

pelan-pelan saja



TERBANG

Dm F 

Hilang ragaku melayang 
Gm 
Jauh tak terbayang 
A# C 
Ke angkasa ku akan terbang 
Dm F 
Biarkan ku raih bintang 
Gm 
Dan ku bawa pulang 
A# C 
Kembali ke bumiku sayang 



[intro] Dm 



Dm A# 
Satu hal yang kuingin dalam hidup ini 
Dm A# 
Merasakan yang lain terbang bagai peri 
Dm A# 
Hanya bias khayalku ‘tuk ke atas awan 
Dm A# 
Bertemu sang mentari menari bersama 
A# C 
Indah… 
A# C 
Berkhayal yang indah… 



Reff : 
Dm F 
Hilang ragaku melayang 
Gm 
Jauh tak terbayang 
A# C 
Ke angkasa ku akan terbang 
Dm F 
Biarkan ku raih bintang 
Gm 
Dan ku bawa pulang 
A# C 
Kembali ke bumiku sayang 



Back to : *,Reff

LYRICS KOTAK

PELAN - PELAN SAJA

ku tahu kamu pasti rasa

apa yang ku rasa
ku tahu cepat atau lambat
kamu kan mengerti

hati bila dipaksakan
pasti takkan baik
pantasnya kamu mencintai
yang juga cintai dirimu
cuma kamu

reff:
lepaskanlah ikatanmu dengan aku 

biar kamu senang
bila berat melupakan aku
pelan-pelan saja

tak ada niat menyakiti

inilah hatiku
pantasnya kamu mencintai
yang juga cintai dirimu
cuma kamu

repeat reff
pelan-pelan saja
repeat reff
pelan-pelan saja

(lepaskan aku, lepaskan aku, lepaskan aku)
pelan-pelan saja




TENDANGAN DARI LANGIT

Di saat terlintas di benakku
Serasa hariku
Anganku ingin sepertimu
Terus seiring berjalannya waktu
Serasa hidupku
Karnamulah aku kan terus terpacu olehmu slalu
Kau ada di dalam hatiku
Slalu akan tetap memujamu
Pasti kita terbang tinggi
Bila terus berlari
Teruskanlah tanpa henti
Pasti kita terbang tinggi
Bila terus berlari
Teruskanlah tanpa henti
Kau angkatlah tangan tinggi
Genggamlah terus jemari
Tuk gapai sebuah mimpi
Kita terbang tinggi
Bila terus berlari
Teruskanlah tanpa henti
Pasti kan terus kau yakini
Tendangan dari langit ini
Bawamu meraih mimpi



MASIH CINTA


Tik,.,tik,.,.tik
Waktu berdetik
Tak mungkin bisa ku hentikan
Maumu jadi mauku
Pahitpun itu ku tersenyum

Kamu tak tahu rasanya hatiku
Saat berhadapan kamu

Tik,.,tik,.,.tik,.,.
Air mataku
Biar terjatuh dalam hati
Mau ku tak penting lagi
Biar ku buat bahagiamu

Kamu tak tahu rasanya hatiku
Saat berhadapan kamu
Kamu tak bisa bayangkan rasanya
Jadi diriku, yang masih cinta

Kamu tak tahu hancurnya hatiku
Saat berhadapan kamu
Kamu tak bisa bayangkan rasanya
Jadi diriku, yang masih cinta